女秘书的秘密

成人生活技能

　　Anna is stuck: she's approaching 30, living like a hermit in her mum's garden shed and wondering why the suffragettes ever bothered. She spends her days making videos using her thumbs as actors - thumbs that bicker about things like whether Yogi Bear is a moral or existential nihilist. But Anna doesn't show these videos to anyone and no one knows what they are for. A week before her birthday her Mum serves her an ultimatum - she needs to move out of the shed, get a haircut that doesn't put her gender in question and stop dressing like a homeless teenager. Naturally, Anna tells her Mum to "back the f-off". However, when her school friend comes to visit, Anna's self-imposed isolation becomes impossible to maintain. Soon she is entangled with a troubled eight year old boy obsessed with Westerns, and the local estate agent whose awkward interpersonal skills continually undermine his attempts to seduce her.

圣安地列斯地震

　　Molly Dunn（Jhey Castles 饰）从小热爱地理，她曾在半夜做实验闹得家人不得安宁，但是她并不是一个十分幸运的孩子，父亲很早就死于一场地震灾害中。长大后Molly成为了一名地质学家，在一所大学教书，某天她正在做一项预测地震的试验，安放在各处的传感器数据显示即将会有一场大地震发生，她必须通知所有人撤离，但是她的力量实在太薄弱了，并没有人愿意听信她的预测，地震如期而至，她只有与时间赛跑，尽可能的拯救更多的人。

龙咁威

　　阿广和阿明在中国一农村长大，两人非常友好，更一起逃到香港，希望寻找金钱梦。然而到香港之后，他俩才发觉困难重重，又尝尽了人情冷暖，闹出不少笑话。此时，香港有位超级巨星，长相和阿广一模一样，在影片拍摄中途，因为做了一个危险动作而身亡，电影公司便找阿广作巨星的替身，他们因而转运。在阿广代替巨星时，他开始明白财富并不等于快乐，而且财富令他非常空虚。不过，阿明却用尽他的新身份和金钱去享受和花天酒地，于是两位好友产生了很多矛盾。最后，阿明知道阿广要重覆巨星身亡时所拍摄的镜头，阿明立即赶去告知阿广，但已经太迟。幸好阿广大难不死，最后两位好友重拾友谊，而且更知道香港不是久留之地。

使徒行者

　　高级警官康Sir遭人杀害，临死前他销毁了所有卧底的资料，以保护这些游走在生死线上的兄弟。在此之后，警方开始着手恢复数据，与卧底们重新取得联系。女卧底阿钉（佘诗曼 饰）某天收到一条康Sir发明的密码，在刑警男友阿Q（吴镇宇 饰）的指挥下，她尝试与这名神秘卧底进行接触。另一方面，某披着合法公司外皮的黑道组织重要成员阿蓝（张家辉 饰）和邵志朗（古天乐 饰）联手袭击了竞争对手。这二人情同手足，在公司少壮派中风头正劲，如日中天。然而警方对他们行动的预判令阿蓝开始怀疑公司有内鬼存在。　　经过几番试探，阿钉终于与神秘卧底接头，可是莫大的危险也向她奔涌袭来……

300杀手

　　In the near future, drugs and crime have risen 500%. A disintegrating police force is unable to deal with this horrifying problem...

怀俄明歹徒

纽约的女人们

　　A film version of a play Fassbinder directed in Hamburg, Clare Booth Luce's "The Women". It gave Fassbinder an opportunity to indulge his passion for working with women - there are forty women in the play and no men.　　The play dates from the 1930s, and Fassbinder was accused by the critics of being anti-women (a frequent criticism of late). As usual, he chose to work "against" the text, and from this has constructed an entertaining and engaging play about love between upper-class women with nothing better to do than sneer at others when things go wrong with their lives and loves.